You guys go on playing your word games, but for everybody else that comes along later, "love" means "love", not "rule". You'd be better off doing a word study on
agape or meditating for 30 days in a row on what Eph 5
actually says than trying to make it say something else.
According to rockfox's "money quote", the call to "love" is now actually a call to "chasten". Mmm hmm.
Only clearly explaining how a husband is to love his wife.
I'll deal with this in a separate thread. Nothing "clear" about it.
Whether the two contexts are identical or miles apart is a different question, although also useful in looking at ones personal perspective.
So you agree that wives are not children, and you were just asking a rhetorical question. Glad to know that.
Whatever other bible authors have to say about "rule" (let alone chastening) in the household, it's not mentioned in Paul's call to husbands to "love their wives". We could easily let separate passages stand on their own without trying to rewrite the ones we have problems with. What's the big deal trying to make Paul say something he didn't say? Why is that so important?
As a musician and producer, I would say that to really hear what the bible authors had to say about any subject, you have to have all the different parts mixed right. The theme of loving one's wife, taking care of her, treating her as a weaker vessel, nourishing and cherishing her, etc, is picked up by different instruments at different levels, while whatever is said in the bible about a husband's need to rule his household, or train his children, or whatever (nothing explicit about "ruling" one's wife, only analogies...), is carried by other instruments at other levels.
If you believe that
God has "produced" the bible, arranging the parts the way he sees fit, saying things the way they are actually said, repeated or elaborated on as necessary, or said once if that was all that needed to be said, then why the big push to make the guitars sound more like the keyboards, or have the trombones blaring over the flutes, or rewriting the melody in the violins because you want it to match the cello part?
Why is that necessary?